Category Automotive

Mila Star Gazing

This past weekend was supposed to be a great night for a meteor shower, so I took a late night drive up Palisades Parkway to 9W through Black Rock Forest in New York and stopped at a lookout. It was nearly pitch black with a hint of city lights in the distance. Unfortunately while I was busy setting up the camera and taking photos, I missed the few shooting stars that my friend witnessed.

The photos are all single exposures, taken with a Canon 16-35mm 2.8L on a full-frame body, 30 second exposures with a remote. The foreground was lit by the iPhone flash and the lens was manually focused. It’s a good idea to take multiple photos with slightly different focusing distances in case you misfocus the first photo.


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Drive

We all have certain movies we fantasize about playing the same role as the hero, for guys it would be a wide variety in an action movie from special forces to martial artists to professional drivers. The hero usually has an amazing ability to never die, can kill anyone with their bare fists, and of course, drive any car and perform stunts without beading a drop of sweat. While you watch the movie, some of the times you really want to believe you can do those things too, and the majority of the times you realize how ridiculous and blown out Hollywood makes it all. Then there’s Drive.

Drive might be the complete opposite of over blown Hollywood stunts, CGI, and sexy heroes. The nameless Driver in the movie is anything but charming. Awkward introverted personality with a deep dark secret. The movie is mostly slow paced with chunks of action scenes that kicks your heart rate into 0-60 in a split second. What I love about the movie is how it romanticizes pure driving. You typically associate cars with guns and women in movies – and yes, Drive has guns and girls too – but it really emphasizes on just the drive.

You watch the Driver cruise down the city streets alone, slow, with just radio chatter – not unrealistic for an evening drive. The simple visual stimulus of street lamps and street lines zooming past your windshield is enough for me to escape the world. This is probably how the Driver escapes his world.

When he meets the girl, his idea of a date is to ask her out for a drive. Inside the car, he is able to share his world with her by transforming what average people consider a hassle of driving, into an adventure, all without a single word being spoken. She is charmed by this. Here is a guy sharing his best moment with someone special and she is intuitive enough to understand and appreciate every moment of it. They proceed to go on dates, each time sharing a moment inside the car.

This movie best portrays my love of pure driving. Not necessarily being a gear head, nor a professional driver, but enjoying the road on a set of four wheels, and what better way to enjoy it than with someone else in the passenger seat? Unfortunately it is not a popular romantic idea, just like this movie isn’t a popular Hollywood action flick. I think it’s hard to convince a woman that all you want to do is to take her out on the road and just enjoy the drive, but for the right woman that says yes, I have found my bliss. I hope you can watch this movie too and feel what I feel.

El Bob at Baltimore Grand Prix

El Bob goes down to Inner Harbor, Baltimore for the Grand Prix weekend. It was exciting to walk the track built on the city streets, eat good food, and have good company. It was always El Bob’s dream to go 180mph, so this was his next closest thing.


El Bob tests out the tire barrier for the Grand Prix. Safety’s number one!

 

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Mila in Baltimore

I recently attended a large BMW East Coast meet called MPACT in Baltimore, MD. I took the opportunity to have a photo shoot in front of the hotel and at the stadium. All of the shots are taken with multiple exposures or bracketing for a slight HDR editing effect that isn’t too obvious or noticeable, therefor a tripod is a must-have. One thing I dislike is over abuse of HDR. Photographs need contrast and a focal point.

Below you will see a composite from the evening photos. The main shot is the ambient light from the street. Other shots of Mila and the smoke were taken with a Canon Speedlite on a Quantum battery, triggered remotely by an Aputure Trigmaster (more reviews on the device in a future post). The camera is on a tripod while I hand held the flash at different angles pointing at Mila, and my assistant Tiffany would press the camera shutter on my command.

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Mila’s first evening photo session

My favorite model, Mila is lit with two Canon 580 exII, triggered remotely, shot with a Canon 16-35mm and a 70-200mm. I metered the camera to expose the sky/clouds, and adjusted the flash power settings to lighten up the foreground. The image was desaturated using Hue/Saturation, while individually desaturating each color channel except for red and a little bit of yellow. A few Curves layers were added to create the mood.

Hover over the flash at the bottom to see the process.

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Driving Videos

I realized I never posted these two driving videos, both were recorded last year. The first drive was through Bear Mountain in my Z4 M Roadster. Unfortunately only one GoPro was in HD, and the one viewing my car was low-res. The second was a rental car driving down the Pacific Coast Highway from San Francisco to Los Angeles. I can’t wait till the weather warms up and I can make more polished videos with my new GoPro Hero HD.

Enjoy!

Best Bracket, Bracketron Review

Having the right accessories in your car changes your whole driving experience, which is why I am dedicating a whole post just to a phone car mount. I’ve seen many variations of universal phone mounts and brackets, some are universal and some are device specific. There are different mounting methods such as suction cups, vent mounts, dash mounts, and custom fits.

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Photography Lesson #12: Wide vs Telephoto

While most people understand the basic difference between wide angle and telephoto angle is how much you can see in an image, they do not realize there’s a change in perspective, distortion, and depth of field when you change from wide to telephoto. The same rules apply to all lens, whether it’s a DSLR or compact, if you learn the basic rules, you can become very effective in taking photos in the way you intended.

Wide angle would be considered 35mm or below, and telephoto would be 85mm and above.

Depth of field
Wide angle produces a larger depth of field while telephoto produces a more shallow depth of field. When you shoot wide at f/2.8, most of your scenery will still be in focus, whereas a telephoto at f/2.8 will be focused only one a certain point with everything else blurred due to more shallow depth of field.

Light
If you have a cheaper lens that does not stay at the same aperture when zooming in or out, you will lose light when zoomed into telephoto. A 70-200mm f/2.8L lens will stay at f/2.8 from 70mm all the way to 200mm. A cheap 55-135mm f/3.5-5.6 lens will change from a maximum of f/3.5 at 55mm to f/5.6 at 135mm, you already know that you’re losing light just by zooming in. Even though a compact point and shoot does not list the specs, the same rules apply, the more you zoom in, the less light comes in. Never zoom in without flash or tripod when shooting indoors on a compact!

Distortion/Perspective
As you change from wide angle to telephoto, the perspective and distortion changes. A more skewed perspective is not necessarily worse than an accurate one – you can use either to your advantage. In wide angle, the perspective is stretched, lines converge into a far-away vanishing point, objects closest to the lens are large, and become significantly smaller as they move away from the camera. This is why you can squish your loved ones between two fingers when you place it in front of a camera, there is a huge difference in size vs distance. A telephoto lens will keep the distortion at a minimum, the vanishing point is less obvious, and objects stay closer in size even at different distances.

Some real world examples include people photography. Why do people always suggest telephoto lens as a better portrait lens? That’s because a large telephoto lens will not distort a person, and keeps everything in proportion. Accuracy is important in most situations unless you specifically want to distort the subject. Ideally, it would be best to shoot a person with a lens anywhere between 100mm to 300mm, but you would have to stand half a block away! The same results apply to any object, like a car.

The wide angle photo has an extreme perspective, the front of the car is extremely large and scales down dramatically as it moves away from the camera. The dumpster shrinks a lot, and the pickup truck in the background is only about the size of my rear view mirror. You know for a fact this is not an accurate size in real life – you know it’s perspective.

The telephoto view is much less distorted, the car has more proper proportions, the dumpster grew in size. Even though the car fills in the same amount of space in the picture frame, you will notice a lot less of the background is visible. The telephoto lens narrows its field of view. Not only do objects get smaller, there is also a distortion as you look at the front of the car.  You will notice the wide angle photo bulges or bends the front of the car into a much rounder shape – imagine doing that to a person’s face!

Which photo is better? That’s your opinion. An accurate representation may be your desire, or you can have a more artistically rendered representation of an object. I like the wide angle because it makes the hood aggressively larger than the mid-section – that is what a roadster is. I am emphasizing the “land shark” nickname of this car. The narrower windshield makes the car look more streamlined as well.